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Sydney Long (1871-1955) Original Watercolour Painting 40cm x 30cm

Sydney Long (1871-1955) Original Watercolour Painting 40cm x 30cm

Regular price $3,200.00 AUD
Regular price Sale price $3,200.00 AUD
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Sydney Long (1871-1955) Original Watercolour Painting 40cm x 30cm

Sydney Long (1871-1955), original watercolour painting (1920) titled 'Home Through the Trees'. The painting has been signed and dated lower left and titled verso. It is such a rarity for a Sidney Long painting to become available that this will prove very popular with investors and art lover alike.  Provenance: Leonard Joel, Private Melbourne Collector.

Dimensions

Image size: 40cm x 30cm
Frame size:  73.5cm x 62.5cm

Bio

Sydney Long (1871-1955), painter and etcher, was born on 20 August 1871 at Ifield, Goulburn, New South Wales, posthumous fifth child of James Long, Irish commission agent, and his native-born wife Susan, née Fletcher. He was educated at Goulburn Boys' High School, and about 1888, the date of his first extant painting, moved to Sydney where he worked for some years at Sandeman's, wine and spirit merchants in George Street.

While influenced by the Heidelberg School, Long's first successful painting, By Tranquil Waters (1894), shows a markedly different engagement with the Australian scene: where Heidelberg artists such as Arthur Streeton and Frederick McCubbin showed the Bush as a place of work and struggle (and occasional sentimentality), Long's painting of young naked bathers is hedonistic and charged with low-key eroticism – the eroticism, rather than the nudity per se, was the cause of the scandal. After 1895 Long moved even further from the Heidelberg School's approach to the Australian landscape (a fusion of Victorian genre painting and a Barbizon-like plein air informal realism), seeking instead to achieve "soulful and graceful evocations of the spirit of the land, as did the Greeks and their beautiful myths." In practice this resulted in a new school of Australian Paganism, reflected in the literature of the period as much as in the art, and counting among its practitioners Lionel Lindsay and his brother Norman.

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