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Norman Lindsay (1879-1969) Rare Large Original Signed Etching 'Lands of Afternoon' 1923

Norman Lindsay (1879-1969) Rare Large Original Signed Etching 'Lands of Afternoon' 1923

Regular price $3,250.00 AUD
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Norman Lindsay (1879-1969) Rare Large Original Signed Etching 'Lands of Afternoon' 1923

Norman Lindsay (1879-1969) A very rare limited edition original 1923 etching and stipple on paper, numbered lower left in margin '55' of 55 and hand signed and titled in pencil 'No 50, Lands of Afternoon, Norman Lindsay, 1923' lower right in margin.  Made up of etching, engraving, aquatint & stipple printed in dark black ink, from one copper plate. The condition is fine, particularly for a 1923 etching. Literature: Lin Bloomfield, Norman Lindsay Etchings, Odana Editions & Josef Lebovic Gallery, Sydney, 1999, p.150, no.246 (illustrated, another impression), Provenance: Private Collection, Canberra, © H., C. and A. Glad. Beautifully framed in a champagne brushed-gold frame with off white/grey acid-free mat board under non-reflective glass. A rare etching for the discerning Lindsay art collector.

Dimensions

Image size: 35.4cm x 29cm
Frame size: 53cm x 44.5m x 1.5cm

Bio

Norman Alfred William Lindsay (22 February 1879 – 21 November 1969) was an Australian artist, etcher, sculptor, writer, art critic, novelist, cartoonist and amateur boxer. One of the most prolific and popular Australian artists of his generation, Lindsay attracted both acclaim and controversy for his works, many of which infused the Australian landscape with erotic pagan elements and were deemed by his critics to be "anti-Christian, anti-social and degenerate". A vocal nationalist, he became a regular artist for The Bulletin at the height of its cultural influence, and advanced staunchly anti-modernist views as a leading writer on Australian art. When friend and literary critic Bertram Stevens argued that children like to read about fairies rather than food, Lindsay wrote and illustrated The Magic Pudding (1918), now considered a classic work of Australian children's literature.

Apart from his creative output, Lindsay was known for his larrikin attitudes and personal libertine philosophy, as well as his battles with what he termed "wowserism". One such battle is portrayed in the 1994 film Sirens, starring Sam Neill and filmed on location at Lindsay's home in the Blue Mountains, west of Sydney. It is now known as the Norman Lindsay Gallery and Museum and is maintained by the National Trust of Australia.


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