Norman Lindsay (1879-1969) - Original Signed Watercolour Painting 'The Slave Market' 1916
Norman Lindsay (1879-1969) - Original Signed Watercolour Painting 'The Slave Market' 1916
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Norman Lindsay (1879-1969) - Original Signed Watercolour Painting 'The Slave Market' 1916
Norman Lindsay (1879-1969). An exemplary original 1916 watercolour painting on paper. This vintage artwork is titled and dated verso "The Slave Market" and signed lower left 'Norman Lindsay'. The condition is excellent, particularly for a drawing of its period. Beautifully framed in a rich multi-layered antique gold frame and mounted in white and ready to hang. This artwork has impeccable provenance with a dedication from Dr. W. S. Porter to Howard Stinton verso, dated May1934, labels from Goldfield Galleries (California) and Oakland Art Gallery (California) verso. Lot 4072 Leonard Joel Melbourne, VIC. This is one for the collectors of Norman Lindsay and fine Australian art. It really is a stunning artwork.
Dimensions
Image size: 26.5cm x 24.5cm
Frame size: 50cm x 54cm x 5cm
Bio
Norman Alfred William Lindsay (22 February 1879 – 21 November 1969) was an Australian artist, etcher, sculptor, writer, art critic, novelist, cartoonist and amateur boxer. One of the most prolific and popular Australian artists of his generation, Lindsay attracted both acclaim and controversy for his works, many of which infused the Australian landscape with erotic pagan elements and were deemed by his critics to be "anti-Christian, anti-social and degenerate". A vocal nationalist, he became a regular artist for The Bulletin at the height of its cultural influence, and advanced staunchly anti-modernist views as a leading writer on Australian art. When friend and literary critic Bertram Stevens argued that children like to read about fairies rather than food, Lindsay wrote and illustrated The Magic Pudding (1918), now considered a classic work of Australian children's literature.
Apart from his creative output, Lindsay was known for his larrikin attitudes and personal libertine philosophy, as well as his battles with what he termed "wowserism". One such battle is portrayed in the 1994 film Sirens, starring Sam Neill and filmed on location at Lindsay's home in the Blue Mountains, west of Sydney. It is now known as the Norman Lindsay Gallery and Museum and is maintained by the National Trust of Australia.
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