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Norman Lindsay (1879-1969) - Rare Original Signed Etching 'Two Lovers' 1924
Norman Lindsay (1879-1969) 1924 A very rare original 1924 etching, hand signed in pencil 'Norman Linday', titled "Two Lovers" and editioned 19 of only 55 in the margin. Made up of Etching, Engraving, Aquatint & Stipple printed in dark blue ink, from one copper plate. The condition is fine, particularly for a 1924 etching. Beautifully framed in a heavy frame with triple mounting boards in cream and green. Reference: © H. C. and A. Glad". Provenance: Private Collection, WA.
Dimensions
Image size: 18.5cm x 13.5cm
Plate-mark:18.8cm x 13.9cm
Frame size: 48cm x 41xm
Bio
Norman Alfred William Lindsay (22 February 1879 – 21 November 1969) was an Australian artist, etcher, sculptor, writer, art critic, novelist, cartoonist and amateur boxer. One of the most prolific and popular Australian artists of his generation, Lindsay attracted both acclaim and controversy for his works, many of which infused the Australian landscape with erotic pagan elements and were deemed by his critics to be "anti-Christian, anti-social and degenerate". A vocal nationalist, he became a regular artist for The Bulletin at the height of its cultural influence, and advanced staunchly anti-modernist views as a leading writer on Australian art. When friend and literary critic Bertram Stevens argued that children like to read about fairies rather than food, Lindsay wrote and illustrated The Magic Pudding (1918), now considered a classic work of Australian children's literature.
Apart from his creative output, Lindsay was known for his larrikin attitudes and personal libertine philosophy, as well as his battles with what he termed "wowserism". One such battle is portrayed in the 1994 film Sirens, starring Sam Neill and filmed on location at Lindsay's home in the Blue Mountains, west of Sydney. It is now known as the Norman Lindsay Gallery and Museum and is maintained by the National Trust of Australia.
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