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Norman Lindsay (1879-1969) - Large Original Signed Pencil Drawing 1932 27cm x 31.5cm
Norman Lindsay, Australian (1879-1969). Study for an Oil Painting, (Circa.1932) Unsigned, but accompanied by certificate of authenticity from Odana Editions (Jane Bloomfield). A wonderful clear pencil drawing beautifully double matted and framed in an new ornate gold frame with white mat boards. Provenance: The artist; Margaret Coen (fellow artist & model for the above); thence by descent - collection of Meg Stewart. Own a piece of history from one of Australia's most loved and greatest artists.
Dimensions
Image size: 27cm x 31.5cm
Frame size: 51cm x 54cm x 3cm
Bio
Norman Alfred William Lindsay (22 February 1879 – 21 November 1969) was an Australian artist, etcher, sculptor, writer, art critic, novelist, cartoonist and amateur boxer. One of the most prolific and popular Australian artists of his generation, Lindsay attracted both acclaim and controversy for his works, many of which infused the Australian landscape with erotic pagan elements and were deemed by his critics to be "anti-Christian, anti-social and degenerate". A vocal nationalist, he became a regular artist for The Bulletin at the height of its cultural influence, and advanced staunchly anti-modernist views as a leading writer on Australian art. When friend and literary critic Bertram Stevens argued that children like to read about fairies rather than food, Lindsay wrote and illustrated The Magic Pudding (1918), now considered a classic work of Australian children's literature.
Apart from his creative output, Lindsay was known for his larrikin attitudes and personal libertine philosophy, as well as his battles with what he termed "wowserism". One such battle is portrayed in the 1994 film Sirens, starring Sam Neill and filmed on location at Lindsay's home in the Blue Mountains, west of Sydney. It is now known as the Norman Lindsay Gallery and Museum and is maintained by the National Trust of Australia.
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